Although I associate the author Richard Wright more with Mississippi (his birthplace) and Chicago (the setting of Native Son), he did live a number of years in New York before moving permanently to France. One of the places he lived, in the 1930s, was on Carlton Avenue in Brooklyn. He used to spend hours writing in nearby Fort Greene Park.
In addition to his works of fiction and nonfiction, Wright wrote some four thousand haiku. Currently the Poetry Society of America is sponsoring "Seeing Into Tomorrow," a project in which seven of these have been turned into public art in and around downtown Brooklyn, not far at all from Carlton Avenue. Several more are on the way, too. I recently spent an enjoyable fall afternoon traipsing around the Borough of Kings to see them.
The poems in the project are reprinted from Haiku: The Last Poems of an American Icon (Arcade, 2012), and in an introduction, Wright's daughter Julia says that writing these poems kept her father "spiritually afloat" during the last years of his life. After seeing the work in Brooklyn, I now want to look at that book! At her School Library Journal blog, Betsy Bird reviewed a children's book about Wright's haiku, also called Seeing Into Tomorrow (Millbrook Press), back in 2018. Featuring the photographic illustrations of Nina Crews, it sounds good, too.
You'll find the Poetry Friday roundup at Reading to the Core on October 1st.
Photos by ST. Upper: Wright haiku at the Jay Street–MetroTech subway station in downtown Brooklyn. Lower: Front door and steps of a building in which Wright lived in the Fort Greene neighborhood of Brooklyn.