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Hot Shakespeare Summer, Act I


Now is the winter of our discontent
Made glorious summer by this sun of York;
And all the clouds that lour'd upon our house
In the deep bosom of the ocean buried.
Now are our brows bound with victorious wreaths;
Our bruised arms hung up for monuments;
Our dreadful marches to delightful measures. [...]

Richard III, Act 1, Scene 1

Summer is beginning with the winter of our discontent, and I wouldn't have it any other way. Richard III is the first work I read and listened to in preparation for seeing a few plays over the next couple of months. In her popular podcast "Approaching Shakespeare," Oxford's Emma Smith points out that Richard is an enormous role, having 32% of all the lines in the play. He appears in 14 of 22 scenes, and he is Shakespeare's only character who opens his own play with a soliloquy.

The last time I saw Richard was in a show by Ireland's Druid Theatre in New York a few years ago, and I can't wait to catch up with him again. Aaron Monaghan had the title role back then; this time around, for Shakespeare in the Park, it goes to the actress Danai Gurira. "We are not going to re-gender the role, but what that means exactly we won’t know until we’re doing run-throughs,” Oskar Eustis, the Public's artistic director, told the New York Times.

Emma Smith says that Elizabethans would have thought of  Shakespeare as a poet first, then a dramatist. The poem "Venus and Adonis" was his most popular overall work in print, with Richard III the most popular play in print. I've never read V&A, so I'm adding it to the virtual queue. You can find an audio version (for free, with a library card!) on Hoopla; the same goes for R3 (with Kenneth Branagh as Richard).


The Poetry Friday roundup takes place at the blog Reading to the Core on June 24th.

Photo by ST.

Talking about the Subway


This is a quick discussion with the University of Pennsylvania's Anna Safford and Al Filreis about a poem about the New York subway. (Or is it really about the subway? I'll let y'all decide.) I happily bumped into Vincent Katz's "On the Subway" this morning while reading around in the curriculum for Modern and Contemporary American Poetry, Penn's big, free Coursera course. (I'm a community TA there, and will put in a plug for the excellent The Difference Is Spreading: Fifty Contemporary Poets on Fifty Poems, edited by Filreis and Safford.)

I especially liked reading "On the Subway" and hearing Anna and Al chat about urban transportation because I'm currently grounded with The Covid. Not a bad case at all, but of course it derailed all my mid-June/end-of-the-school-year plans, as well as commuter-train and subway excursions. Fortunately I've felt well enough to read! I just finished and highly recommend Ada Calhoun's Also a Poet: Frank O'Hara, My Father, and Me (Grove, 2022). Vincent Katz is one of the people Calhoun interviews in the book.


For more poetic talk, head to the Poetry Friday roundup at Michelle Kogan's blog.